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oai:orbis.library.yale.edu:12979782
2020-04-27
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02021cam a2200397 i 4500
12979782
20200427191415.0
151201t20162016paua b s001 0 eng c
2015044025
9780271071145
(cloth ;
alk. paper)
0271071141
(cloth ;
alk. paper)
(OCoLC)ocn931860556
12979782
PSt/DLC
eng
rda
UPM
DLC
OCLCO
OCLCQ
OCLCF
OCLCO
BTCTA
ERASA
OCL
FXM
OCLCO
YDX
pcc
e-uk---
N72.S3
H45 2016
ocn931860556
701/.050941
23
Helmreich, Anne,
author.
Nature's truth :
photography, painting, and science in Victorian Britain /
Anne Helmreich.
University Park, Pennsylvania :
The Pennsylvania State University Press,
[2016]
©2016
xii, 255 pages :
illustrations (some color) ;
26 cm
text
txt
rdacontent
still image
sti
rdacontent
unmediated
n
rdamedia
volume
nc
rdacarrier
"Investigates why nineteenth-century British painters and photographers as diverse as the Pre-Raphaelites, P.H. Emerson, and Augustus John pursued truth to nature, and how contemporary science and philosophy informed their artistic practice and the critical reception of their work"--Provided by publisher.
Includes bibliographical references (pages 223-235) and index.
Truth to nature and the "innocent eye" -- John Everett Millais and John Brett : the rise of imagination and the crisis of Pre-Raphaelitism -- P.H. Emerson and George Clausen : renouncing the quest -- Neorealism : truth to nature in modernist critical debate.
Art and science
Great Britain
History
19th century.
Nature (Aesthetics)
Photography
Great Britain
History
19th century.
Painting, British
19th century.
Pre-Raphaelitism
Great Britain.